Climate Science Glossary

Term Lookup

Enter a term in the search box to find its definition.


Use the controls in the far right panel to increase or decrease the number of terms automatically displayed (or to completely turn that feature off).

Term Lookup


All IPCC definitions taken from Climate Change 2007: The Physical Science Basis. Working Group I Contribution to the Fourth Assessment Report of the Intergovernmental Panel on Climate Change, Annex I, Glossary, pp. 941-954. Cambridge University Press.

Home Arguments Software Resources Comments The Consensus Project Translations About Support

Bluesky Facebook LinkedIn Mastodon MeWe

Twitter YouTube RSS Posts RSS Comments Email Subscribe

Climate's changed before
It's the sun
It's not bad
There is no consensus
It's cooling
Models are unreliable
Temp record is unreliable
Animals and plants can adapt
It hasn't warmed since 1998
Antarctica is gaining ice
View All Arguments...

New? Register here
Forgot your password?

Latest Posts


CliFi – A new way to talk about climate change

Posted on 18 October 2017 by John Abraham

Cli-Fi refers to “climate fiction;” it is a term coined by journalist Dan Bloom. These are fictional books that somehow or someway bring real climate change science to the reader. What is really interesting is that Cli-Fi books often present real science in a credible way. They become fun teaching tools. There are some really well known authors such as Paolo Bacigalupi and Margaret Atwood among others. A list of other candidate Cli-Fi novels was provided by Sarah Holding in the Guardian.

What makes a Cli-Fi novel good? Well in my opinion, it has to have some real science in it. And it has to get the science right. Second, it has to be fun to read. When done correctly, Cli-Fi can connect people to their world; it can help us understand what future climate may be like, or what current climate effects are.

As I write this, we are getting a steady stream of stories out of Puerto Rico the island was devastated by Hurricane Maria. It is hard to imagine the devastation, what life is like without electricity, food, or water. What is life like on an island of 3 million people, each fending for themselves, just trying to survive.

Another thing that is hard to imagine is the future. What will the world be like decades from now when Earth temperatures have continued to rise? What will agriculture be like? What will coastal communities be like? What will international relations and armed conflict be like?

It is also hard to imagine what living a subsistence agriculture life is like, today. What happens to lives and communities when the rains change, or don’t come at all? What would that world look like?

Cli-Fi stories are vehicles that can help us imagine. The authors get us to think about these what ifs – these future Earths. Cli-Fi novels (and movies for that matter) can make experiences far more real than endless graphs or plots of temperature variations. And that, perhaps, is the most important contribution Cli-Fi can make to the discussion of climate change in our everyday lives. These authors get us to imagine what experiences are or would be like. 

One recent example of Cli-Fi literature is South Pole Station by Ashley Shelby. In this book we follow an artist, Cooper Gosling, who is traveling to a research location on Antarctica to create paintings. Yes, an artist is sent to live with researchers and crew – with funding from the National Science Foundation. After arriving at the South Pole, Cooper has to become acquainted with the strange social system that exists there. Ashley writes the book in such a way that you actually feel you are huddled in the cold with her and her co-workers.

Cooper doesn’t uplift her life to travel to the South Pole on a whim. It is an outcome of a family tragedy and a history that involves romanticized stories of adventure to this remote place. While Cooper is stationed at the pole, she hears news that a radical scientist is coming. This scientist claims that climate change is a hoax – and his presence further upsets the delicate social balance that exists at the research location. 

You see the expected reaction of the regular scientists when this climate denier arrives to perform his research. There is backstabbing and sabotage where in the end we find Copper helping this climate-denying scientist carry out an experiment. The experiment goes awry and there are repercussions all the way back to the US mainland, and the halls of Congress.

I liked this book because I don’t like fiction. That is, I find it really hard to get into fictional books because my mind always runs back to science, or my email, or papers to grade, or kids’ soccer practices to get to. I never feel like I have time to just read for fun. But this book was really engaging. It was the first fictional book in a decade that I didn’t want to put down.

Click here to read the rest

0 0

Printable Version  |  Link to this page


Comments 1 to 4:

  1. Personally such a book would drive me nuts.  I struggle with historical fiction or anything that mixes fact and fiction. I prefer dry old books  full of graphs, photos, tables and charts, or a completly fiction novel like the Tolkein Trilogy. But thats just me.

    However I appreciate different people connect to different things and in different ways and such a semi fictional book would be perfect for them. The world is complicated, with deep seated differences between people relating to some things and how they connect, think, imagine, and what switches them on.  Of course we have have many basics in common as well, or it would be chaos. 

    0 0
  2. I highly recommend Paolo Bacigalupi's The Water Knife. It aptly describes how the modern overdelveloped Southwest US will experience what the Anasazi did through the lens of water rights.

    0 0
  3. I do however recommend "Adventures in the Anthropocene, by Gaia Vince" which is factual account of environmental issues and climate impacts, but told through the lives of individuals and local communities. This style may appeal to some people.

    0 0
  4. Jim @2 - yes, I found "The Water Knife" novel terrifying in it's plausibility and sharply pointed in it's portrayal of fellow Americans as the new wave of unwanted refugees the fences and walls and armed militias were determined to keep out. Only one criticism - his treatment of the desert wildlife as somehow well adapted and likely to survive; I think much of that wildlife already exists close to the limits of survival even before addition of higher temperatures and new extremes of drought.

    0 0

You need to be logged in to post a comment. Login via the left margin or if you're new, register here.

The Consensus Project Website


(free to republish)

© Copyright 2024 John Cook
Home | Translations | About Us | Privacy | Contact Us